How does the fine art
photographer who plies his skills photographing the nude compete in this overly
saturated world of sexually explicit imagery and still stay on an artistic
path? How does the onslaught of pornographic images temper the vision of the
fine art nude photographer? What options does this leave the artist who has
shunned the slick patina of the obvious to pursue a loftier more immersive
artistic experience?
This
is the great problem today for any serious artist who works with the human
form.
With
its imprimatur on everything from network TV and cable, to the sex tapes of
D-listers desperate to steady a sinking ship Pornography is certainly
mainstream. Ever since it appeared out from under the counter of your local
convenience store and onto the World Wide Web, you’d be hard pressed surfing in
its viscous wake without ever coming across the lubricious acrobatics performed
by the infamous pincushions who call it home. For the Internet caters to every
original taste and sicko craving that has ever been remanded to the darkest
corners of man’s consciousness. Log on for ten minutes and you will find a
virtual bouillabaisse of every warped morsel of human perversity a mind can ever
possibly conjure.
It
is there you’ll find the freshly spanked and shaven hordes, the ass
worshippers, the stomata humpers, the insertion freaks, the body fluid
sommeliers, the busty, midget cock riders, the out of control, anal grannies,
and the rest of the cast of fudge slurping, load bearing, urine gargling gutter
jockeys, denizens of a miasma of such depth and breadth that it would be
refused admission into Dante’s Inferno so recherché is the nutty finish.
Pornography is so pervasive that it has become the new lingua franca. And if
you don’t believe me then I’m not your typical red blooded, all-American,
diaper wearing, binky sucking, foot fetishist. Even as I write, it is raining
harder than a bukkake film directed by John Woo.
Tough
competition…
This
question is a conundrum to be sure, but by no means insurmountable.
First,
the artist has to ask himself a few basic questions. What are my goals in
photographing the nude? What am I trying to say about the naked body? Is my
artistic vision about nudity current or contrary to the prevailing zeitgeist?
Am I making a new statement or am I just a garden-variety pornographer trying
to elicit an easy reaction?
These
are all valid considerations, but for me the answer is always an existential
one, that is, all I can absolutely do is try to define the meaning of my
existence through the relationships I have with people. As an artist do I look
beyond the façade and try to fuse desire along with a deeper sense of humanity?
In
the case of the photographic artist it is the belief that human flesh is only a
pleasurable adjunct to the human experience and is never a complete portrait
without the inclusion all of its encompassing modes. By incorporating this
modus into the act of making art only then can the artist create a work worthy
of the inscrutable. It is the obligation and duty of the artist to render a
full portrait of the sitter, which balances on a fulcrum the ephemeral with the
inevitable and with it the truly erotic can have purchase. This is only achieved
if the artist is a thoughtful one and willing to sacrifice the worship of
artifice for one of infinite dimensionality.

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